Ah the serenity – Home in Australian fiction

It’s no surprise narratives like this can be found throughout Australian literature, but I was taken aback by just how similar these three stories are. They represent a de-landing myth in Australian culture, a repeating plot of threat to home that I’m sure could be found elsewhere too. Frankly, what surprised me most was that they don’t even make much of an effort to be different from one another.

Dersu Uzala: The Human Cost of Empire

Comparing the warmth of a friendship with the tragedy of death, Dersu showcases the human cost of empire. The film argues that imperialism has impacts so large that they are unable to be controlled by the very actors undertaking them. By exploring the impact of the imperial project on just one relationship, between Dersu and on Captain Arsenyev, the director, Kurosawa, is able to capture the tragedy that imperialism, by its nature, creates for both of these groups of people, and their powerlessness to stop it.

What we can learn from The Last Free Man in the midst of a pandemic

For many of us living in self-isolation, the experience has been one of incredible loneliness, which is dramatically different to the potential for isolation to be freeing and satisfying as presented by Woolston in many of his works. It seems that isolation itself does not bring freedom, but is rather a short-cut to liberation provided by living in an environment free of the pressures applied by the social and institutional systems of city life.

The struggle against sin: The Brothers Karamazov

How do we square in our hearts good people who do bad things? How do we understand that the world’s greatest sinners, murderers and traitors and genocidal racists, can be full of love for their friends, can be generous to the needy, or willing to suffer for the good of others? The answer Brothers offers is pretty compelling: Because they failed to be brave in a moment of weakness.